1 / 7
domus 1970–1979
24.99(40)
Save 15.010000000000002!
Il meglio di domus degli anni ’70, un’epoca cruciale in cui emersero le prime tendenze postmoderniste, il gusto personale iniziò a lasciare il segno sull’edilizia e la crisi energetica globale spinse alla ribalta la coscienza ecologica. Compaiono nel volume Renzo Piano, Richard Rogers, Kisho Kurokawa e l’innovativo Centro Georges Pompidou.
Copertina rigida, 7.7 x 10.0 in., 4.41 lb, 640 pagine
![domus 1970s](https://taschen.makaira.media/taschen/image/upload/f_webp,h_96/v1673454398/products-live/858dbac71c05d6748776f61a6fda26ed.png)
domus 1970s
24.99(40)
Save 15.010000000000002!
The Rise of Individuality and Ecological Awareness
Design and architecture turning points of the 1970s, à la domus
Founded in 1928 as a “living diary” by the great Milanese architect and designer Gio Ponti, domus has been hailed as the world’s most influential architecture and design journal. With style and rigor, it has reported on the major themes and stylistic movements in industrial, interior, product, and structural design.
This fresh reprint of the 1970s domus coverage brings together the most important features from an era marking seismic changes in architecture and design. It was a time when individualism gained momentum as a novel style, and we began to notice the first postmodernist tendencies. Faced with the global energy crisis, architects and designers imbued their methods with a new ecological awareness.
For work to be featured in the magazine it had to offer function, spatial clarity, intellectual persuasion, relevant originality, and/or grace. Those groundbreaking projects and practitioners that made the cut include Shiro Kuramata, Verner Panton, Joe Colombo, Richard Meier, the modernist structures by Foster Associates and the Centre Georges Pompidou by Renzo Piano and Richard Rogers.
domus distilled
This fresh reprint of the 1970s domus coverage brings together the most important features from an era marking seismic changes in architecture and design. It was a time when individualism gained momentum as a novel style, and we began to notice the first postmodernist tendencies. Faced with the global energy crisis, architects and designers imbued their methods with a new ecological awareness.
For work to be featured in the magazine it had to offer function, spatial clarity, intellectual persuasion, relevant originality, and/or grace. Those groundbreaking projects and practitioners that made the cut include Shiro Kuramata, Verner Panton, Joe Colombo, Richard Meier, the modernist structures by Foster Associates and the Centre Georges Pompidou by Renzo Piano and Richard Rogers.
domus distilled
- Seven volumes spanning 1928 to 1999
- Over 4,000 pages featuring influential projects by the most important designers and architects
- Original layouts and all covers, with captions providing navigation and context
- Introductory essays by renowned architects and designers
- Each edition comes with an appendix featuring texts translated into English, many of which were previously only available in Italian
- A comprehensive index in each volume listing both designers’ and manufacturers’ names
L'editore
Charlotte and Peter Fiell are well-known design authors having written over sixty books on the subject. Among their various areas of specialization is the realm of transportation design in all its diverse forms. The Fiells have lectured widely, guest taught courses, curated exhibitions, and consulted manufacturing companies, museums, salerooms, and major private collectors around the world. Together, they have written numerous TASCHEN books.
domus 1970–1979
Copertina rigida, 19.6 x 25.5 cm, 2.00 kg, 640 pagineISBN 978-3-8365-9386-1
Edizione: IngleseScarica qui le immagini del prodotto
Non sono state ancora pubblicate recensioni per questo articolo. Sii il primo a valutare questo prodotto.