November 27, 2024 - March 23, 2025
Kunst und Gesellschaft in Rembrandts Amsterdam
Städel Museum, Frankfurt a.M., Germany
1 / 15
XXL
I libri XXL misurano almeno 39 cm.
Rembrandt. The Complete Paintings
200Disponibilità: DisponibileIl Secolo d'oro olandese ha generato alcuni dei più grandi artisti e artigiani della storia, ma pochi possono vantare il genio di Rembrandt. Per commemorare 350 anni di eredità senza pari, questa monografia di dimensioni XXL raccoglie i 330 dipinti dell'artista in squisite riproduzioni e dettagli che rivelano come tutte le opere dipinte da Rembrandt, da ogni sottile ruga, sguardo o figura, siano costruite in modo intricato.
Copertina rigida con pieghevoli, 11.4 x 15.6 in., 15.73 lb, 744 pagine
XXL
I libri XXL misurano almeno 39 cm.
Rembrandt. The Complete Paintings
200Rembrandt's complete painted oeuvre
The Dutch Golden Age's genius in XXL resolution
The Dutch Golden Age of painting spawned some of history’s greatest artists and artisans, but few can boast the genius and legacy of Rembrandt Harmensz. van Rijn (1606–1669). Despite never leaving his native Netherlands, Rembrandt projected his oeuvre past the boundaries of his own experience, producing some of art’s most diverse and impactful works across portraiture, biblical, allegorical, landscape, and genre scenes. In all their forms, Rembrandt’s paintings are built of intricacies—the totality of each subtle facial wrinkle, gaze, or figure amounting to an emotional force that stands unmatched among his contemporaries and artistic progeny alike.
Each work is imbued with feeling. Biblical scenes, like Bathsheba at her Bath, become vehicles for meditations on human longing, probing depths beyond that which is canonized in scripture or depicted in other representations. His portraits, be them of wealthy patrons or tradesmen, communicate the essence of an individual through fine demarcations, their faces bathed in an ethereal light against darkened earthtones. Perhaps most striking, his series of self-portraits is a triumph of the medium; beginning in his youth and spanning until a year prior to his death, Rembrandt’s self portraiture is an intimate glimpse into his lifelong process of self-reflection.
This monograph compiles all 330 of Rembrandt’s paintings in stunning reproductions. From Belshazzar’s Feast to The Anatomy Lesson of Dr. Nicolaes Tulp, we discover Rembrandt’s painted oeuvre like never before.
Each work is imbued with feeling. Biblical scenes, like Bathsheba at her Bath, become vehicles for meditations on human longing, probing depths beyond that which is canonized in scripture or depicted in other representations. His portraits, be them of wealthy patrons or tradesmen, communicate the essence of an individual through fine demarcations, their faces bathed in an ethereal light against darkened earthtones. Perhaps most striking, his series of self-portraits is a triumph of the medium; beginning in his youth and spanning until a year prior to his death, Rembrandt’s self portraiture is an intimate glimpse into his lifelong process of self-reflection.
This monograph compiles all 330 of Rembrandt’s paintings in stunning reproductions. From Belshazzar’s Feast to The Anatomy Lesson of Dr. Nicolaes Tulp, we discover Rembrandt’s painted oeuvre like never before.
L'autore
Volker Manuth studied art history, philosophy and classical archaeology in Kiel, Bonn, and Berlin. In 1987 he completed his PhD at the Freie Universität Berlin with a thesis on the iconography of Rembrandt’s Old Testament subjects. From 1988 to 1995 he was an assistant and associate Professor at the FU Berlin, and from 1995 to 2003, he held the A. Bader Chair of Northern Renaissance and Baroque Art at Queen’s University in Kingston, Ontario (Canada). Since 2003, he has been Professor of Art History at Radboud University in Nijmegen, the Netherlands.
Gli autori che hanno contribuito
Marieke de Winkel studied art history and classical archaeology at the University of Amsterdam and history of dress at the Courtauld Institute in London. From 1993 to 2003, she was a research assistant with the Rembrandt Research Project. Her PhD thesis at the University of Amsterdam focused on dress in the works of Rembrandt.
Rudie van Leeuwen studied art history at Radboud University in Nijmegen. He obtained his PhD in 2018 on the portrait historié in 16th and 17th-century Dutch painting. Together with Volker Manuth he initiated and worked on the Rembrandt Documents Project (RemDoc.org), where he was centrally involved inter alia in the conception and implementation of the integral search function.
Rembrandt. The Complete Paintings
Copertina rigida con pieghevoli, 29 x 39.5 cm, 7.13 kg, 744 pagineISBN 978-3-8365-2632-6
Edizione: IngleseISBN 978-3-8365-2633-3
Edizione: FranceseScarica qui le immagini del prodotto
5
Rembrandt
16 novembre 2022
Como en todos sus libros: Genial. Parece que las figuras fueran a salir de las páginas. Cinco estrellas es poco.Magnifico
2 febbraio 2022
Como de costumbre magnífica calidad de materiales, encuadernación, tipografía... Una auténtica joya de libro y una delicia para los amantes del arte y Rembrandt, con toda su obra y biografía.Rembrandt. Obra pictórica completa
29 gennaio 2022
Un trabajo de recopilación e investigación pictórica extraordinario.Un trésor …
12 novembre 2021
Pour qui ressent l’importance de la peinture de Rembrandt, non seulement dans l’histoire de l’art mais dans celle de l’humanité, ce magnifique ouvrage des Éditions Taschen est un trésor dont on tourne les pages aux photos somptueuses, aux couleurs les plus fidèles aux chefs-d’œuvre du maître, avec une intense émotion. Ce livre est empreint de l’intelligence et de l’humanisme que l’art de Rembrandt a offert au monde.I want all your books
3 novembre 2021
I buy your books locally since they are available and I have discovered recently the XXL size edition. I am so happy. I wonder at the beauty and quality of your products and now I want to have them all. Thanks so much.Ein Kunstwerk für sich
2 novembre 2021
Dieses Werk „Buch“ zu nennen wäre, als würde man die Nachtwache als „Bemalte Leinwand“ bezeichnen. Es ist vielmehr ein Kunstwerk ganz für sich allein! Wer dieses Werk nicht sein Eigen nennt, kann Kunst nie wirklich geliebt haben!